Monday, October 24, 2016

The New Year part 1: Cloud Cult, Sunflower Bean, Walter Martin, Lavender Flu, Mavis Staples

One thing that I have always stressed to music listeners is to try out new music, even the music that isn’t going to necessarily change someone’s life or become someone’s favorite new album. I’m an advocate for keeping up with the music scene. There is so much going on in music that goes unlistened to because it’s not being broadcasted everywhere or widely distributed amongst listeners. Thanks to the oversaturation of the market, people need to be wowed. Thanks to the radio, the same music is circulated for years; my mind is boggled when people cling to music from 10 years ago because it’s easier to stick to the reliables rather than going outside their comfort zone and recognizing that today’s scene has something for everyone, whether it be a song or a whole album. It legit saddens me when someone tells me their favorite band is Fort Minor. Like, wtf.
            So, as I try to reestablish my writing chops and apply for jobs, I will be writing a few different series of posts in the coming weeks. This one, that I have hastily thrown together, will focus on album releases from this year, with the intention being that others will read, maybe even just read of the titles of the albums, my thoughts and ratings of these albums and look them up. I’m usually a more “overall” kind of music consumer, so I’ll focus on things like, where does this album fit in 2016, what it sounds like, who it sounds like, general themes, and choice songs to check out. I’m a pretty open listener of different genres, but, I’ll mainly focus on alternative, rap, punk, global, and a few odds and ends. 5 albums will be talked about, with one getting more attention than the others. I take no responsibility for offending anyone by making fun of their taste with off-hand comments about artists.


Cloud Cult- The Seekers

            The story of Cloud Cult is a pretty well known one for those that even remotely know them. It’s a story that defines their music so much. The lead singer, Craig Minowa, lost his son tragically in 2002, and to try and recover from the loss, he has written album after album trying to comprehend it, resulting in some of the most beautiful albums one can listen to. While Advice from the Happy Hippopotamus may be their money album, Light Chasers and Love are personal favorites of mine.
            Their sound is perfectly crafted by an army of 8 band members wielding a small orchestra of horns, strings, and “the standards.” Going from mania to somber to achingly touching, Cloud Cult have the power to energize and move an audience. Even if they don’t get too much attention, the earnestness of their work I’m sure makes an indelible mark on their listeners. They record on an eco friendly farm, so the planet is not harmed in any way during recording, which is nice to know.
            The Seekers is an appropriate album title for the album and almost a summation of what the band is all about. Cloud Cult always seems to be searching, searching for recovery, for understanding, through tornadoes, through the mind, through the universe and every single galaxy, they are searching. Each album they send out this signal of love and hope with everything they can muster that it reaches its destination, most likely to his son if the lyrics in Come Home are anything to go on (asking his baby to come home). This is an album of someone struggling with accepting the past, of trying to cope with the horrid nature of existence and move on. Nothing drives the emotion more than Minowa’s vocals that both convey fragility and resonation. Twinkling piano, sweeping violin, and an uplifting mood follow.
No song on the album touched me more than the song, Time Machine Invention. In it, he expresses his wish of wanting to go back in time and change it. Not just to correct a wrong, but to avoid “chasing the tail” and spending so much time worrying and forgetting to live. God, that’s something we all can relate to. Sure, horrible things happen, but the things I regret the most are spending so much time wallowing instead of taking the necessary steps to recuperate.
The Seekers is an essential 2016 listen because, while it’s not a commercial product, it shows that the music scene still has heart, honest to god heart that isn’t overproduced or manufactured, but pulled from somewhere real and painful.
Listen to: Come Home, Days to Remember, Time Machine Invention.
            Rating: 7/10. Perfect album for someone who has lost someone.



Sunflower Bean- Human Ceremony

            For those that like their psychedelic sunny and light, Sunflower Bean is for you. They write songs that are ready made for the radio but don’t sound like you’d be a douche for listening to them. You cannot listen to Come On without feeling a little bit cool. That driving drum and playful guitar begs you to put a pair of sunglasses on. The alternating female/male vocal dynamic is really refreshing in these songs, in that neither overpower each other and create this perfect balance. His vocals are very scuzzy, while hers are overwhelmingly pleasant (check out Oh, I Just Don’t Know for the contrast). These guys are a band that is situated in that lower middle tier of the indie listening ladder, meaning that you’ll probably hear them on college radio, but are obscure enough to impress your friends about this cool band you know. Check out if you are a fan of The Vasolines.
            Listen to: Come On, Oh, I Just Don’t Know, 2013
            Rating: 6/10 Could turn into the next IT band with a strong follow up. Sunny, breezy, easy to like.



Walter Martin- Arts & Leisure

           Listening to the former band member of The Walkmen’s new album is like going over to a friend you haven’t seen in forever’s house and having a sententious conversation over espresso. As the album title alludes to, the album brings up art, travel, and self deprecation a lot. It’s such an easy going album that he mostly restricts the sound to that of a guitar, spare drum, and his voice. I’m not kidding when I say it’s like talking to a friend. He talks about the shitty jobs he had before he became rich, talks about where he went in Amsterdam, wishing he was Michelangelo, and the usual topic of conversation, “man, I’m getting real old.” In all honesty, it’s a very inconsequential but fun listen. His last album was a children’s album that was accompanied with a few choice guests. Martin doesn’t seem to want to reinvent the wheel anymore; The Walkmen have provided him with enough rock’n’roll living and he’s content with entertaining the family he has accumulated with novel stories, chat a little, and I’m personally happy to hang out.
            Songs to listen to: Jobs I Had Before I Got Rich and Famous, Old as Hell, Charles   Rennie Mackintosh.
            Rating: 4/10 Inconsequential but very pleasant and friendly.


The Lavender Flu- Heavy Air

            Man, this album took a solid day to get through! Not because it was bad, but because it’s a 30 song album and isn’t a very easy listen, which is oddly rewarding for a hardcore music listener. This is a freaky kind of album. Lavender Flu is a group that is centered around the ex guitarist of The Hunches, an underground garage rock band from the early 2000’s, Chris Gunn. The group and album are actually pretty hard to get background on, but, all I know, is that Chris Gunn is considered a heralded obscure guitarist, an omnipresent element throughout the album. It’s a very guitar heavy, dark album that is punctuated with instrumental tracks that range from screechy to enlightening. In fact, I’d say that although this sounds like a group of friends getting together for a very high level jam session, Heavy Air is a refreshing, maybe inspirational, listen. It’s almost as if the album constantly tries to suffocate the listener than letting them breath and see the sun for a few tracks so they remember how reinvigorating the fresh air can be. I’m going to throw out some buzz words to describe it since it goes through so much in it’s long runtime: technically proficient, distortion, overlapping vocals, weird, Dinosaur Jr, strangely beautiful, like seeing a flower bloom in a drug den.
            Songs to listen to: My Time (one of the my favorite songs of 2016!), The Lawn, Those That Bend
            Rating: Super hard to rate. I personally loved it, but can’t see a lot of people giving it a chance. Long listen, but perfect for those that love that lo-fi Bevis Frond era of noise music and wish you could be there for it when it grew up. 7/10


Mavis Staples- Livin’ On a High Note

            Mavis Staples has been around for a long time. As part of the Staple Sisters, she made her debut in 1967, becoming both one of the most celebrated popular gospel groups of that time period and the soundtrack for the civil rights movement. After the separation of the sisters, she went on to have a successful solo career that has averaged out at least two albums a decade since the 60’s. With so much so mileage on her career, you would think an album in 2016 would be that dark introspective release that many older artists put out at this age. However, that is not the case. Staples has never sounded more vibrant and blessed in her entire life! Every song exudes positivity and a gratefulness for still being able to do something she loves. Each song has been written specifically for her by some very notable artists, such as, Justin Vernon, Benjamin Booker, and Nick Cave. This is truly a community effort and a great show of respect for a subtle icon.
            Also, side note, she was proposed to by Bob Dylan and turned down. Hey Bob, that Nobel Prize is a pretty neat silver medal, right?
            Songs to Listen to: High Note, If It’s a Light, Jesus Lay Down Besides Me

            Rating: 6/10 Very positive, lovely album that is propelled higher due to my insistence that one shouldn’t always be cynical.

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